Formats
STUDIONJOKU001 - LP (COLOURED)
5061041821301
Details
**BLUE VINYL** Tony Njoku returns with All Our Knives Are Always Sharp, a sonically expansive and emotionally charged second album that brings together a remarkable cast of black British voices. Featuring powerful collaborations with Tricky, GAIKA, Ghostpoet, Coby Sey, James Massiah Space Afrika and Labi Junior, the record serves as a landmark moment for Njoku, a culmination of both the singular musical style and nuanced, socially-engaged storytelling he’s been crafting throughout his career. Rooted in themes of spiritual preparedness, cultural resistance and emotional clarity, the album unfolds through Njoku’s signature blend of electronic abstraction, falsetto-led songwriting and cinematic composition. It’s a work that cuts deep. Philosophical, political and personal, each guest brings a vital new layer to the conversation. “ALL OUR KNIVES….” will be the first release on Tony’s new imprint ‘Studio Njoku’, which Tony says will serve as a space to facilitate his collaborations with his wider creative community. In addition the album will be pressed on heavyweight 180g vinyl limited-edition, with 300 copies worldwide. It will be the first run of physical production for Studio Njoku As Njoku looks to take his new creative practice into the future, there’s a fire stoked within him for more collaboration, chiefly with artists of colour. By reappropriating traditional western instruments and arrangements, warping sounds through his own singular production style, using music to tell stories of heritage and culture
Tracks
1. Weapon 2. Catatonia (feat James Massiah) 3. Spirals 4. Eternity 5. The Slipstream (feat Ghostpoet) 6. All Our Knives Are Always Sharp (feat Coby Sey) 7. Depleted (feat Tricky) 8. Spirit War Dub (feat Gaika) 9. On The Back Of Forgiveness (feat Space Afrika) 10. Safety (feat Labi Junior)
Press
Featuring powerful collaborations with Tricky, GAIKA, Ghostpoet, Coby Sey, James Massiah Space Afrika and Labi Junior
?A gift for combining an array of musical perspectives into a unified whole?
- The Guardian