Latest release: 14 Apr 2014
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DYLAN SHEARER - 'GARAGEARRAY'
Formats
CF038 - LP
819162015391CF038CD - CD
819162015407
Details
Cut from the cloth of early Soft Machine and Kevin Ayersisms, garagearray is a lofty, loopy flight in a candy-flossclouded sky, with an ever-present darkness just below the surface. It’s wonderfully off the cuff, at times reminiscent of a Syd Barrett session where the band must’ve just closed their eyes and felt it out in the dark, coming together in all the right moments in the nick of time. For garagearray, Dylan Shearer is joined by Petey Dammit (Thee Oh Sees) on bass and Noel von Harmonson (Comets on Fire) on drums. Produced by Eric Bauer (Ty Segall, Mikal Cronin, etc.), the recording maintains a lighter-than-life vibration, like a breeze weaving through a tree far overhead. The production smacks with that lostin- time quality of a BBC session piloted by a natural-onthe- knobs genius. Shearer has a sort of shy quality that seems to fall away when he sings these songs live. It’s really quite lovely and full of sad and poetic moments. Castle Face is very proud to co-release garagearray with Empty Cellar Records, and to celebrate the occasion, the labels have come up with two special limited, hand-printed jacket / colored vinyl editions featuring artwork by Michael Sean Coleman.
Tracks
Press
Audio & Video
AMPS FOR CHRIST - 'CANYONS CARS AND CROWS'
Formats
SHR173 - LP
759718117318SHR173CD - CD
759718117325
Details
Coming seven years after the release of the previous full-length record, Every Eleven Seconds (5 Rue Christine), and two since the their split LP with Woods (Shrimper), Canyons Cars and Crows is a proper resurrection for Amps for Christ. Recorded at Equation Road in the beautiful Pomona Valley, the record upholds the band’s traditions of mixing folk with hardcore and noise with music—known as folkcore and musnik, respectively— and covers familiar sonic territories from ragas and Basho folk to dirges and jigs. The songs, dire but hopeful, examine man’s relationship to nature. Henry Barnes, the force behind Amps for Christ, was a founding member of Man Is the Bastard. The group’s first release was the cassette-only album The Plains of Alluvial, released by Shrimper in 1997; since then there have been many full-length and split albums on a number of labels. Outside of Amps for Christ, Barnes has collaborated recently with Man Is the Bastard’s Eric Wood on a Bastard Noise / Brutal Truth split LP on Relapse Records, a split with Bizarre Uproar, and a pair of splits with Japanese artists Outermost and Government Alpha. Look for live shows across one or two oceans following the release of Canyons Cars and Crows.
Tracks
1. Sailor?s Searching
2. Miss You Mother
3. Earth Is Spinning
4. Chieftains I
5. Hills of Padua
6. Chieftains II
7. Barely Breathe
8. Everyone Drives
9. All Messed Up
10. Scottish Country Dance
Press
Audio & Video
WOODS - 'WITH LIGHT AND WITH LOVE'
Formats
WOODSIST072 - LP
655035047218WOODSIST072CD - CD
655035047225WOODSIST072MC - MC
TO ORDER ONLY
Details
“Woods’ brand of pop shamanism has undergone several gradual transformations over their past few albums, but on With Light and With Love, the tinkering reveals an expanded sonic palette that includes singing saw, heavier emphasis on percussion, and a saloon piano that sounds like it was rescued from a flooded basement. Distinct from both the stoned volk of their earliest recordings and the kraut-y dalliances of more recent fare, With Light and With Love showcases a more sophisticated brand of contemporary drug music that owes more to Magical Mystery Tour than motorik. “If you’ve ever thought of Woods as a pop group comprised of weirdos, or a weirdo band that happens to excel at playing pop songs almost in spite of itself, With Light and With Love provides a corrective in the form of songs that show these two elements as natural, inextricable bedfellows. Throughout the album, vocals are frequently emitted through Leslie speakers and guitars perform one-string ragas like Sandy Bull reared on shoegaze and skate videos. With Light and With Love is an album of deeply psychedelic, deeply satisfying songs for a new age of searchers, of Don Juan and Animal Chin alike.” —James Toth• Features guests Tim Presley (White Fence) on slide guitar and Jonathan Rado (Foxygen) on organ • Vinyl packaged in deluxe gatefold jacket and includes digital download
Tracks
1. Shepherd
2. Shining
3. With Light and With Love
4. Moving to the Left
5. New Light
6. Leaves Like Glass
7. Twin Steps
8. Full Moon
9. Only the Lonely
10. Feather Man
Press
Audio & Video
ADAM LIPMAN - 'PROVE THE BEAST'
Formats
SHR174 - CD
759718117424
Details
Adam Lipman has moved into the modern era with his new album Prove the Beast, his third release on the legendary Shrimper label. While From Your Mouth to God’s Ears (2009) was a record of words, and Glacial (2013) was a record of a voice singing those words in perfect pitch, Prove the Beast is a record of worlds: basketball legends, misogynistic feminist fables, love through the prism of drink, slow counterpoint piano, hip-hop beats, off-key / off-kilter hand-claps and drums, Peruvian pop goddesses, income inequality, Jesus as unrealistic sex god role model, dating as ritual death dance, and love as catalyst for death-inducing highspeed country driving. Helping this project along was Michael Sherk (Mandarin Dynasty), who took the helm as producer and engineer. Cooped up together in an oceanside cabin in Big Lagoon, Trinidad, CA, the pair recorded mostly live for four days. Completing the recordings with overdubs over several months was Allen Callaci (Refrigerator, singer on Glacial) adding vocal touches, Tommy Seven (also known as Controller 7, hip hop instrumentalist and Anticon label alum) with drum programming, Taryn Popplewell on vocals, Kevin Ferguson on drums, Matt Longwell on saxophone and Aaron Alcala on piano. The cover is drawn by Bay Area artist Gonzalo Perez Acosta.
Tracks
1.
Leaving Virginia
2.
In Our Home
3.
Drifting Blue
4.
The Body Bare
5.
Cool Breeze
6.
Prove the Beast
7.
Only the Hunted
8.
Waiting to Exhale
9.
Remember Me