Latest release: 21 Jan 2022
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TY SEGALL - 'LEMONS'

Formats
  • 46GONE - LP & DL
    880270293919
  • 46GONECD - CD
    880270282920
Details

Burying '60s sing-alongs and dance crazes beneath waves of reverb and giddy thud, Ty Segall has carved out his own shelf in the San Francisco neo-psych garage alongside local compatriots and collaborators Sic Alps and Thee Oh Sees. After shattering the Bay Area underground as a frantic one-man band that was devoured by the local press, Segall has now given up the solo act for a three-piece group that destroys sonic and melodic boundaries with manic glee. This new live setup is a better reflection of his studio work. As an exploration of the space between Cro-Magnon fuzz and atmospheric acoustic psych, Lemons is the natural next step after his celebrated self-titled 2008 debut on Castle Face.

Tracks

N/A

Press

Audio & Video


MIENAKUNARU - 'BLOOD SUN'

Formats
  • CFUL0216 - LP (COLOURED)
Details

Cardinal Fuzz are pleased to announce the new LP from Mienakunaru – ‘Blood Sun’. After Mienakunaru's debut brain crusher 'Lost Bones Of The Holy Butterfly' that came via esteemed label Drone Rock Records (and reissued in the USA via Echodelick) - Cardinal Fuzz and Feeding Tube Records bring you 'Blood Sun' - A ferocious throb of of 3 people losing themselves in the beauty of fuzz, sizzle and noise. Mienakunaru are a throbbing face melting power trio made up of Mike Vest, Junzo Suzuki and Dave Sneddon and if we were to write up the list of bands these artists have been involved with there would be no room to write more – Just believe me when I say that the list reads like a who’s who of cult underground hardcore and psychedelic bands. For those that may not have been listening to anything associated with these leviathans of heady, psychedelic noise – What we have here is fuzz drenched, waster infused and pounding like jack hammer freak-outs. Over four tracks of which the title track takes up the whole of one side you are treated to forty minutes of heavy cosmic amplifier worship, where the hypnotic nature of the music created within, unfolds and time and space begins to distort. Prepare to have your body shaken as Mienakunaru lay waste.

Tracks

Press

Solid White Vinyl

Audio & Video


BLACK HOLES ARE CANNIBALS - 'SURFACER'

Formats
  • CFUL0129 - LP
Details

Cardinal Fuzz / Acid Test are proud to present to you the debut LP from Black Holes Are Cannibals – ‘Surfacer’. Formed around the uber talent of Chris Jude Watson (founder of ‘Snakes Don’t Belong In Alaska’) who in BHAC found a band to take his vision to the outer most limits. BHAC are a collective with a varying line and each time they record all the music is improvised as they let their collective and innate abilities guide them, but what does bind them are the touchstones of Drone and Minimalism that runs through the music they create or just plain HEAVY. Call them Drone Metal or Psychedelic it matters not as the music created is an immersive, all consuming and thought-provoking transcendental listening experience that awaits those brave enough to take the ride with BHAC. ‘Surfacer’ was recorded at First Avenue Studios in Newcastle by the band using a TASCAM DR40 and is the embodiment of pent-up emotions gathered and endured during lockdown as they zap out every ounce of feeling and anguish into this recording. ‘Surfacer’ is not an album for the faint of heart with 2 long tracks of transcendence that will challenge and push you to lose yourself in the sonic experience of the timbre / vibrations of droning instruments and throat vocalisations as BHAC weave together mesmerizing waves of sonic texture. ‘Surfacer’ draws influence from bands like Neptunian Maximalism, Qujaku, Neurosis and the visual work of Andrei Tarkovsky, Kenneth Anger and Larisa Shepitko which influence the energy and darker sounds of the music while still taking influence from more traditional psychedelic sounds and experimental places like Taj Mahal Travellers, Suzuki Junzo, Pauline Oliveros, Vahvistusharha, and Tōru Takemitsu aurally and visual energies from occult works like Jodorowsky's 'Holy Mountain', Helena Blavatsky and Hilma Af Klint's Alterpieces 1-3. As Terence McKenna might have said – BHAC are best experienced when listened to in complete solitude in a dark room while you are doing nothing else. To experience this album to the fullest, you must not have any distractions. Just sit down, relax, plug in, and let this album take you up into outer space. ‘Surfacer’ is pressed on Heavy Black Vinyl and presented in a 350gsm Outer Sleeve with artwork that perfectly matches the music drawn by James Watts (Inspiration coming to James from an article on beaked whales being "more surfacer than diver" before we had that jam and thats what inspired his drawing of an abstract beaked whale skull for the cover).

Tracks

Press

Heavy Black Vinyl

Audio & Video


PATRICK BRAYER - 'CABBAGE & KINGS: AN INLAND SHRIMPIRE ANTHOLOGY'

Formats
  • SHR208 - CD
    733102724122
Details

Patrick Brayer made a name for himself in 1979 with his debut record Cold Feelings. That record is a mix of idiosyncratic high and low desert howl, which would quietly serve as a cornerstone for the Americana sound, it’s fiddle and banjo marrying Brayer’s unique singing and literary songwriting skills. Twenty years after that release, his second album, Catholic And Western Fabuli, was issued on Ben Harper’s short lived record label, Inland Empire. Fast forward twenty years from there to get to here, his third record—that is a white lie of sorts, as there are sixty other records available digitally in his Secret Hits series, but strictly talking in the material world, this is his third release. Brayer might be little known to the general public but is well-known in songwriter circles, where his songs have been covered by a myriad of deep listeners including Alison Krauss, John Doe, Robert Plant, Dave Alvin, Alan Jackson, Chris Darrow, Michael Hedges, and a wealth of others. This latest release, a deeply personal and intimate album which has equal footing in the starkest of Shrimper releases and with latter great albums by Loretta Lynn, Charlie Louvin, Johnny Cash and Brayer’s peer Howe Gelb, seeks to rectify Brayer’s relative obscurity. For Cabbage And Kings, Brayer presents seven songs, starting off with the near ten-minute lead off-track, recorded in a solitary room by him, and finishes the record simularily with an equally stark song for his recently departed friend, Kaleidoscope’s Chris Darrow. It captures the strengths of Brayer as a singer with his unique phrasing and playing to an internal clock that is more concerned with space than time. One gets them both. Cabbage and a King.

Tracks

1. Note To Self (To Say Goodbye)
2. A Painless Way To Cry
3. Capture And Release
4. Lose It
5. Toe Tag (On My Heart)
6. Standing There
7. Empty Cage Behind
(For Chris Darrow 1944-2020)

Press

Cult Americana songwriter from the late
1970s returns. Beloved and covered by Ben Harper,
Alison Krauss, John Doe, Robert Plant,
Dave Alvin, Alan Jackson, Alan Jackson,
Chris Darrow, Michael Hedges, and many
other

Audio & Video


WITCHES BROOM - 'S/T'

Formats
  • CFUL0212 - LP
Details

Recorded by the band direct to 8-track tape in a basement behind a cemetery, these nine timeless teenage anthems and jukebox rippers tackle love (“Got Me High”), lust (“Tell Your Boyfriend”), and drugs (“Here He Come”) with a counterculture sneer and trickster’s wink. Fueled by Savage Sam's fiery guitar and Farfisa leads, vocal snarl, and arsenal of self-built custom analog effects pedals, the trio offers fresh and lucid hallucinations of various Seeds-y, Fugs’ed up strains of American underground rock and freakbeat rave-ups at the farthest edge of the British Invasion. Crucially, the group laces each composition with more than enough personality to ensure that this joyful noise couldn't be coming from anybody else's garage. An upbeat singles band to the core, they save their lone improvised psychedelic jam for the end of midtempo closer "Watching" - a glimpse at the wild abandon of the trio's facemelting live shows. Savage Sam: guitar, organ, lead vocals, production Michelle: drums, backing vocals Herb (Matt Lajoie) : bass guitar, backing vocals

Tracks

Press

Audio & Video


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