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FAR OUT - '日本人 (Nihonjin)'


*NOW AVAILABLE ON CD*Some albums are certainly a kind of holy grail for music lovers and collectors of a certain genre, style and era. FAR OUT with their eponymous debut and unfortunately also farewell album from 1973 have created such a sacred gem. Original copies in good condition change hands for up to 2000 USD and there are certainly a few not so official reprints on vinyl and CD out on the market which do not even come close to do justice to the greatness of the old original black gold. But here we go with the first ever official vinyl reissue taken directly from the original mastertapes supplied by Nippon Columbia. EVERLAND MUSIC did a brilliant job as usual with their reissue. The coverart with a white glove hanging on a washing line to dry comes on an awesome heavy gatefold sleeve. Including 2 inserts with live photos from back in the day when the band was going wild on stage. Now for the most important part, the music. There are certainly not too many wild moments here since both long tracks „Too many people“ and „Nihonjin“ have a melancholic, dreamy approach with a desperately howling and sighing lead guitar that spouts some utterly intense melodies. These two tracks are epics in the pure sense of the word. They start both with a rather gentle part which develops into a journey of sound that bring either vast landscapes of enchanting beauty untouched by modern human life or quite dramatic scenes to your mind’s eye. The lead guitarist often uses some strange instrument which is a kind of electric sitar to add the atmosphere of eastern mystic. So while falling into a state of deep trance while letting the music rush through my ears into my brain my spirit that has left my body embarks on a trip from the smokey volcanic hills around Pompeji to the icy permafrost wastelands of the Northeastern lands and arrives somewhere in the East Asian jungle on a gold plated pyramid of an unspeakable age where laughing demons dance around mystic fireplaces. Yes, this is the real journey to the center of your mind and despite having no really abstract freak out parts, tricky instrumental runs and twisted rhythm figures this music will capture your whole existence for the next 38 minutes. The end of „Nihonjin“, the second tune, shows an ambient like section with synthesizer background, echoing atonal sitar, a brightly squeaking flute, organ carpet and some percussions. This is indeed a rather extreme part, due to the pointed tone of the flute but quite soon the music stops and leaves the listener back in reality. This second track later on got a kind of reappearance on the FAR EAST FAMILY album „Nipponjin“, also retitled as „Nipponjin“. Mastermind behind both acts is multi instrumentalist Fumio Miyashita, so there is no wonder. The later version has more space rock elements and electronic sounds than the original FAR OUT tune and is a little bit shorter all in all. But I digress. This is the real thing for those who still miss the melodies and atmosphere of the late 60s and very early 70s when people had a dream of a peaceful world and who enjoy early German cosmic kraut rock like AMON DÜÜL II, ORGANISATION (later to become KRAFTWERK), the debut album by TANGERINE DREAM and more obscure stuff but also international bands like PINK FLOYD, GONG, TWINK and HAWKWIND just as an East Asian version. A real gem and finally available with the real sound and package again.



For fans of Far East Family Band, Amon Duul II, Hawkwind , Tangerine Dream

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  • SC53 - 2xLPs

*BLACK VINYL* Eight years in the making, Santa Cruz, California’s reclusive sons of tectonic riffage Mammatus return with Expanding Majesty, a sixty-nine minute magnum opus of kaleidoscopic guitars, soaring analog synths, wall-ofamps fuzz bass and one hundred feet drums. Four sidelong pieces unfold across a double album in unstoppable riffs that span the meditative and joyful un-earthed flight of ’70s kosmische godfathers like Popol Vuh and Tangerine Dream to the kinds of sub-surface thunder pioneered by Melvins and Sleep.


1. Expanding Majesty
2. By The Sky
3. Foreveriff
4. Beams Of Light


Santa Cruz-based tectonic riffers return
with eight-years-in-the-making magnum
For fans of Popul Vuh, Tangerine Dream,
Melvins, and Sleep

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  • TESS030 - LP

100-150 TRANSPARENT ORANGE / BLACK VINYL EDITIONS Sunfruits are pleased to announce their forthcoming debut album, One Degree. In high anticipation ever since the Melbourne/Naarm band released their Certified Organic EP in 2020, the album sees their most mature and conceptual songwriting to date. As heard in recent singles ‘End Of The World’, ‘Believe It All’ and ‘Made To Love’, the album showcases Sunfruits’ knack for writing memorable pop songs and their desire to use their music for good. The album is filled with anthemic choruses, melodic psychedelia, harmonious ballads and danceable indie pop, interplaying with potent lyrical messages of hope and despair. Through the album’s 11 tracks the band explore environmental collapse, resilience, self-reflection, love and relationships, all textured with a coming-of-age feel. On their debut album One Degree, the band presents new-age, anthemic psychedelia and indie-pop, similar to MGMT and Pond. The album’s memorable guitar hooks and garage-rock grit nods to artists such as Ty Segall and 70s glam-rocker, T. Rex, while the album’s softer moments echo the cinematic folk of Weyes Blood. Sunfruits take this eclectic mix of influences and create something uniquely their own, branded by euphonious four part vocals that have become a big part of their new sound. One Degree lets the listener sit with their feelings and encourages them to experience the rawness of human existence — highs, lows and the in-betweens. Touring UK/EU in September, including a date at the Manchester Psych Fest. 


1. Believe It All

2. Made To Love

3. Better Off Dead

4. One Degree

5. Reeling

6.End Of The World

7. Hello Future Me

8. Feeling Fine

9. Spiders

10. Jasmine

11. Warning Signs


"'60s sunshine psych harmonies slide against the satin stomp of glam, the hedonistic throb of '90s rave-pop crossover crops up, as does the indie-psych smile of the early aughts." - RSTB

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  • BMR131 - LP

In the 1980s, Michael Morley helped to push the jangly New Zealand music scene towards rougher, more exploratory realms, as a member of Wreck Small Speakers on Expensive Stereos, The Weeds, and the almighty Dead C. His gnarled, distorted guitar tone and aggressively moan-based vocal style are both as distinctive as they are secretly beautiful. Morley has released dozens of solo recordings—starting in the late 1980s as Gate, then more recently under his own name, and as the Righteous Yeah. He’s also unafraid to tackle entirely new genres and sounds, and to move into interactive installation-based music as well. Birdman is beyond excited to present the first vinyl release of this archival Gate release. “...I think it is classic Gate material. The idea of the palette is fascinating as I think I did approach it with a set of limited instrumentation and the desire to make something again that could sound like rock music. There is certainly a direct line from Wreck Small Speakers On Expensive Stereos, through the Dead C, and to Gate. I think I was also inspired by listening to [infamous and tragically short-lived early 1980s band] the Double Happys, and remembering their performances as a duo with the drum machine. There was such utter chaos and anarchy during their sets, with a desire to represent punk rock at its nascent truth, I wanted to see if it was possible to re- imagine that feeling. I was possibly also listening to the Stooges and MC5. —Michael Morley 


1. All Of My Family
2. Mountains
3. Stars Keep
4. Land
5. Clouds Again
6. Film Envy


Archival 2012 recordings from classic NZ
noise rocker from Dead C, Wreck Small
Speakers on Expensive Speakers, and
The Weeds

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