LA MONTE YOUNG / MARIAN ZAZEELA - 'DREAM HOUSE 78'17'

Formats

• SV199 - LP

  857661008384

• SV199CD - CD

  857661008391

Details

Originally released in 1974 on Shandar, Dream House 78’17” is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux. Side one was recorded at a private concert (on the date and time indicated by the title) and features Young and Zazeela’s voices against a sine wave drone with Jon Hassell on trumpet and Garrett List on trombone. This work is a section of the longer composition Map of 49’s Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (begun in 1966 as a sub-section of The Tortoise, His Dreams and Journeys, which was begun in 1964 with Young’s group The Theatre of Eternal Music). The piece evolves with the oscillator changing pitch and dictating an ornate pattern over the course of the performance. Side two is an example of one of the sets of frequencies sustained in the Dream House, the composite sound environments conceived by Young and Zazeela. The composer suggests listening while seated—to experience how the sound interacts with the room and other perceptions of its arrangement—as well as while walking. As Young states, “The frequency ratios are monitored continuously as lissajous patterns on the oscilloscopes and, in spite of the great stability of the oscillators, the phase relationships of the sine waves gradually drift which causes their amplitudes to add and subtract algebraically. Not only does the sound become a bit louder and softer, but at very loud levels, one actually begins to have a sensation that parts of the body are somehow locked in sync with the sine waves and slowly drifting with them in space and time.”

Tracks

1. 13 I 73 5:35-6:14:03 PM NYC
2. Drift Study 14 VII 73
9:27:27-10:06:41 PM NYC

Press

Second album by composer
La Monte Young.
Originally released in 1974 on Shandar
Featuring Jon Hassell and Garrett List

Audio & Video

DICKS - 'KILL FROM THE HEART'

Formats

• SV197 - LP

  857661008407

Details

Dicks’ debut LP has been acknowledged as a foundational statement in Punk ever since its initial 1983 release. Following their first single, 1980’s “Dicks Hate The Police,” and a live split with fellow Austinites the Big Boys, Kill From The Heart does not disappoint. Originally released on SST, the album stands apart from the mass of generic thrash-hardcore contemporaries— fueled by the manic, but controlled power of singer Gary Floyd along with the original lineup of guitarist Glen Taylor, bassist Buxf Parrot and drummer Pat Deason. Dicks were operating at an absolute peak at this point, alternating damaged workouts that suggest Flipper or No Trend on one end and highly charged tracks in the vein of Minutemen or Tales of Terror on the other. Straight out of the gate on “Anti Klan,” the band trades blues-grounded guitar with squealing feedback and intensely political lyrics. The raw emotional sincerity of Floyd, who was openly gay in Reagan-era Texas, provides unmistakeable urgency to songs such as “No Nazi’s Friend,” “Rich Daddy” and the title track, which remains one of the stone-cold classic punk anthems. Forty years on, Kill From The Heart continues to smolder—an arresting testament to the possibilities embodied in creative rage. It is no surprise that Dicks have been covered by Mudhoney, Jesus Lizard and more. Superior Viaduct is honored to present this truly essential reissue. Comes with original tracklist, insert and download card.

Tracks

Press

Classic debut album from Austin punk band Dicks
Originally released on SST in 1983

Audio & Video

SHANE PARISH - 'REPERTOIRE'

Formats

• PAL081 - LP

  843563174036

Details

"Imagine: It’s sometime in the back half of the 19th century, America. You’re sitting in the parlor of your mansion, or in the only room of your shack; things are dusty and smell like sweat and hair, no matter how wealthy you may be. You don’t own a phonograph, and you don’t know who Tony Hawk is, but you have an inkling of how good the word 'shred' is going to feel when it enters the local slang. Suddenly, a tall, elegant figure with beautifully maintained fingernails emerges from some corner of the room, carrying a guitar. He says in a soft voice, 'I have a transmission for you, from the coming few centuries. Would you like to hear it? I figured you wouldn’t have a dongle, so I brought my guitar.' You may be apprehensive, but you shouldn’t be. Shane happens to be an internationally renowned virtuoso of the guitar. Specifically, he’s the kind of virtuoso who is as deep on style as he is on technique. His technical prowess is almost maddeningly complete; aiming paradoxically for the yards-long target called “breadth” he’s somehow hit all of it, 500 arrows piercing every pore of the landscape. He has that much technique not for the sake of guitar worship but to best bring the music forth clearly and in his own hand, like a pearl formed in a specific sea. I know this because I’ve sat next to him in multiple countries and American states and seen him deliver transmissions of that extreme honesty, with that extreme capability. Like Derek Bailey’s 'Ballads,' this record brings you into the room and the breath of a true musician whose mastery does not overshadow his appreciation of the music that inspired it. The title, 'Repertoire,' underscores the beautiful songs he chose to perform, all standards of 20th century musical excellence. The in-time persistence of his blues-walked 'Lonely Woman.' The grand registral descent he performs on 'Pithecanthropus Erectus,' like a rare document of the trip down from Everest. Dig how 'Better Get Hit in Your Soul,' emphasizes the folk blues water coursing through Mingus’s Ellingtonia, how Aphex Twin’s 'Avril 14' and the Minutemen’s 'Cohesion' sound so much older than Cage’s 'Totem Ancestors.' 'Repertoire' puts forth the idea that time is arrangement: time and arrangement are each only as successful as they are faithful to their origins and expansive in their style. Again, lest you fear the alien smoothness some associate with the concept 'virtuoso,' remember here we’re dealing with a time- traveler. His virtuosity is home grown, born of human work rather than some abstract or divine touch; the aim is not to go beyond the realm of human technical possibility but to expand it in the direction of human, meaning, timely. This guy can play anything, and for you, for this record, which sounds intimate and as present as a transmission from a time-traveler, he chooses to."—Wendy Eisenberg

Tracks

Press

Standards of 20th century musical excellence inc. Aphex Twin, Minutemen and John Cage.

Audio & Video

ACID MOTHERS REYNOLS - 'VOL: 3'

Formats

• VHF160 - LP

  783881016017

Details

Volume 3 of a set of collaborations between the prolific Argentine polymaths Reynols and the inescapable Acid Mothers Temple. Recorded in Buenos Aries on AMT’s 2017 South American Tour, the music has identifiable sonic elements from both groups but ends up sounding like neither, with a surprising weightlessness that keeps things jammy and psychedelic until the final track’s blustering rock. Taking up most of side 1, “Kicking Air Bricks” has a loose Gong/’70s Euro-classic vibe, with Satoshima Nani getting to swing on the drums in a way that isn’t always part of AMT’s steamroller, while the rest of the gang layers in abstract piano, percussion, glissando guitar, etc. “Multiverse Turtle Reflex” closes the side with a thick drone coda. Side two starts with Miguel Tomasin’s gentle vocal and organ accompaniment on “Smelling Oneiric Asado” before the group gradually gathers momentum with Wolf’s thick bass anchoring layers of clean and loose guitar interplay. “Lemurian Tsunami Inside A Hat” is a thriteen-minute heavy rock epic, with the Reynols’ guitars going head to head with Makota Kawabata’s easily recognized interjections, ramping up into a riffy crescendo.

Tracks

Press

Audio & Video

JESSE - 'COMPLETE DISCOGRAPHY'

Formats

• LRR054 - 2xLPs

  5060462853410

Details

Reissue of the 90’s Hidden Gem originally released on the infamous “Rugger Bugger” Records, featuring Frankie Stubbs of Leatherface. The album is a complete Discography, of all things Jesse on a double album, one unreleased song and everything remastered for its release. “Stubbs seems on the verge of breakdown into sorrowful melancholy on a number of tracks, only with an air of odd defiance, as if he's hurting but knows he'll weather it. He inspires hard empathy instead of irritation. You look forward to Stubbs' lyrics and he never fails, particularly as one experiences them with that gut-wrenching sincerity clutched within that sandpaper-voiced howl.” – Jack Rabbid Remastered – Nigel Walton – The Edit Suite & Graeme Philliskirk Artwork – Cactus Vella

Tracks

1. Indestructable / 2. Smarm / 3. Gone Fishing / 4. Everwas / 5. Jack Christ / 6. As Your Mind Closed, Mine Was Opening / 7. Rant / 8. World / 9. A Song About a Dog, That's Not a Dog Anymore / 10. Room / 11. Paradoxical Thing / 12. Handful of Earth / 13. Big Freeze / 14. Truly Beautiful / 15. Rant (7" Singe Mix) / 16. A Song About a Dog, That's Not a Dog Anymore (7" Single Mix) / 17. Indestructable (7" Single Mix) / 18. Room (7" Single Mix) / 19. Handful of Earth (7" Single Mix) / 20. Jack Christ (7" Single Mix) / 21. Paradoxical Thing (7" Single Mix) / 22. Hey Hey

Press

Audio & Video

BACK TEETH - 'EP'

Formats

• LRR069 - 7"

  5106046285392

Details

*RANDOM MIX OF GREEN OR YELLOW VINYL*Midlands NOS Gruff Org Punk outfit, Back Teeth met whilst partying it up at Punk Rock Holiday 2022 in Slovenia. Back Teeth release their debut 7” EP on UK Label Little Rocket Records comprising of four songs and a supporting video. Mixed by Jeff Dean (The Bomb, Airstream Futures and Her Head’s on Fire) and mastered by Daly George (Drones). Back Teeth are: Dave on bass, Lewis on guitar/vocals, Tom on drums, and Paul on guitar/vocals. Back Teeth could loosely be described as a gruff punk, or org-core band, with a “Gainesville Fest” feel. 

Tracks

1.Guillotine 02:59
2.Attention Deficit Reorder 03:17
3.Your Move Creep 03:02
4.Weekend at Looseys 03:02

Press

Audio & Video

K. LEIMER AND MARC BARECCA - 'ARRHYTHMIAN'

Formats

• PoL01.2024 - 2xLPs

  195269277321

Details

For their fifth collaboration Marc Barreca and Kerry Leimer set aside their more abstract creative approaches to composition in favor of basing the music of Arrhythmian on beats. Using rhythm as texture, the tracks gravitate to concussive and bass voices, high bpm rates, and constantly evolving timbres shaped by granular synthesis, sampling, heavy processing, audio manipulation, rich distortion, with the maximum dynamic range vinyl can offer. “We’re always thinking about sound quality, about what’s possible in a recording for vinyl demands a very specific approach. Pitch, dynamics, layering, density all play a more significant role in analog recording and reproduction,” says Leimer, as Barreca continues, “Let’s just say it’s not music you can dance to...” Arrhythmian is released as a double disc vinyl set, produced to safely allow the grooves their maximum possible excursion while giving one’s stylus a rewarding and demanding workout. Marc Barreca and Kerry Leimer have worked on a nearly parallel musical course for more than forty years. Nearly parallel because their musical paths do occasionally cross. First in 1980 with “Four Pages From An Unfinished Novel” on K. Leimer’s first solo album Closed System Potentials. Again during the live performance of Music For Land And Water and for the massive loop piece “Heart Of Stillness” from The Neo-Realist (At Risk) by the virtual group Savant. K. Leimer founded Palace Of Lights in 1979 and has been actively producing music since the mid 1970s. Marc Barreca has created and performed electronic music since the mid-1970s. His 1980 vinyl album, Twilight, was among the first releases for Palace of Lights Records. Their work is part of the Collection of the British Library. With Steve Peters, Leimer and Barreca form the collaborative trio Three Point Circle

Tracks

1. Panic For Ideas
2. Exfiltration
3. Engulfed
4. My Missing Years
5. Misplaced Trust
6. Haze Of Being
7. Caldera
8. Acquired Learning
9. Known To Some
10. Loss Of Will
11. Agonists
12. From The Rubble
13. The Impartiality Of Sound

Press

Two parallel cult electronic artists, whose
careers started in the mid-?70s, collaborate
on new beat-driven double album

Audio & Video

NICK GARRIE - 'THE NIGHTMARE OF J.B. STANISLAS B/W AROUND THE WORLD'

Formats

• NXN024S - 7"

  0615625652482

Details

Nick Garrie was an unknown backpacker until his music was discovered in the late ’60s while busking in the South of France. Recognising his talent, work on a collection of recordings followed which would culminate in his legendary debut album The Nightmare of J.B. Stanislas. Set to be released in 1969 on the influential French label Disc’Az, however due to the suicide of the label’s founder, Lucien Morisse, shortly before the album’s release date, only about 100 copies of this psych pop/soft rock masterpiece came into circulation. It became a cult album in the truest sense and was finally reissued almost 40 years later. With the death of Morisse, Nick took some time away from recording only to return under an alias, writing with Oscar and Golden Globe winning composer Francis Lai. His directory of credits only grew as he worked with Paul Samwell-Smith (The Yardbirds), Alun Davies (Cat Stevens’ Band), drummer Gerry Conway and Leonard Cohen. Nick Garrie grew his audience in Europe, penning an album that would top the charts in Spain. In 2005 the album The Nightmare of J.B Stanislas was reissued, achieving critical acclaim from The Independent, BBC & Record Collector. Nick’s resurgence combined with fascination of his back story led to a new generation of music fans and musicians appreciating Garrie’s work. In this tim he was collaborated with the likes of Duglas T. Stewart (BMX Bandits) Norman Blake and Francis McDonald (Teenage Fanclub) and Gary Olson (The Ladybug Transistor). Now, for the first time ever, the classic title track is to be released as a 7” single. It is also the first ever vinyl release of Nick’s work on a UK label. The B side is a song close to Nick’s heart Around the World. This track was also written in the ’60s but had never been recorded before. It was recorded at Nick’s home in late 2023 with the help of fellow 9X9 recording artist Jamie Whelligan and musician/producer Nick Frater.

Tracks

(A) The Nightmare of J.B. Stanislas
(B) Around The World

Press

Audio & Video

MIKE MOONEY - 'THE CTHULHU MYTHOS'

Formats

• NXN025LP - LP

  0615625652499

• NXN025CD - CD

  0615625580907

Details

Mike Mooney presents his debut solo album The Cthulu Mythos via Nine X Nine Records. Mike Mooney has had a storied career in the music business, over the years he has had stints in Echo & The Bunnymen, The Psychedellic Furs, Spiritualized and The Wild Swans to name a few. Reknowned for his incendiary guitar work and distinctive style it seems incredible that only now are we seeing a solo debut proper. This record is inspired by the work of American authour and the godfather of the cosmic-horror genre H.P. Lovecraft. Mooney had long been a fan of Lovecraft’s work but through rereading much of his work during the coronavirus lockdown an idea for an album was planted. Using the titles of Lovecraft’s work as a springboard, Mike started recording. The songs came easily, almost as if being channeled via a conduit from some unknowable dimension of Old Gods and unspeakable horrors. The Cthulu Mythos is a larger-than-life, rock n’ roll affair. Purposefully distorted guitars are layered to a create a caucophonous effect that immerses you in Mike Mooney’s world populated by the creatures, characters and cosmic forces of H.P. Lovecraft’s mind.

Tracks

(1) The Call of Cthulhu (2) Dreams in the Witch House (3) Beyond the Wall
(4) In and Out (5) Mountains of Madness (6) The Dunwich Horror
(7) The Shunned House (8) The Colour Out of Space

Press

Audio & Video

MIKE BADGER - 'VOLUME'

Formats

• NXN023LP - LP

  0615625652475

Details

In the late 90s, the bands that Mike Badger had been part of vanished in the rear-view mirror. The La’s and The Onset were no more. With a young family and his tin-can sculptures emerging as his primary source of income, the evenings in Allerton (south Liverpool) found him quietly strumming his acoustic guitar, careful not to disturb the sleeping children. Weekends often led to the Penny Lane Wine Bar and later to Henry Epstein’s residence, a haven for revelry after closing time. A place where acoustic guitars adorned the walls, and impromptu musical sessions unfolded. In the midnight hours at Henry Epstein’s house, Paul Hemmings conceived the idea of compiling an album featuring Mike’s new tunes, which seemed to carry a basic “pastoral” theme reflective of settled domestic life. Demos were recorded on a porta-studio, and the album, initially titled “Naked and Beyond,” was crafted with starkness and simplicity, adorned with selected embellishments contributed by associates who shared drinks and stages. Recording took place at “The Lab” studio just north of the city, utilizing a Teac 24 Track machine and the warmth of analogue recording. The studio featured an old Italian “Eko” acoustic guitar, a classical guitar, Louis Johnson’s cello arrangements, and Tommy Scott’s backing vocals. Once the core of the album was laid down, the journey continued to Anglesey, to Henry Priestman’s “Gossamer Dome” Studio, where a baby grand piano, Farfisa organ, and “Parrot” accordion were added to enrich the songs with colors, harmonies, and magic, all against the backdrop of a sea view. The front cover of the album was adorned with an objet d’art created from a spiraled frying implement, part of Mike Badger’s “Lost and Found” exhibition. As the need to release the album arose, Mike Badger and his collaborators established their own label, “Viper,” and secured a distributor. The album, titled “Volume,” reflected its creation – from its initial sound considerations to the organic body of work composed in recent years. The recording process, though thorough, embraced imperfections, as Mike Badger believed that completeness emerged from these flaws, giving the performance its distinct character. The spirit of the performance took precedence over perfection, resulting in a product that felt genuine, unfettered, and honest – created simply because it was meant to be made. Now the album turns 25 it is released on vinyl for the first time via Nine X Nine Records.

Tracks

(1) Where Love Is (2) Silhouette (3) Rhapsody (4) James Earl Ray
(5) Silent Secrets (6) Piano Sativa (7) Poverty of the Heart (8) Reach For The Stars
(9) Perpetual Emotion (10) Turn To Her (11) When We?re Alone (12) Twilight In D

Press

Audio & Video

SHELTON SAN - 'LIVE ON THE BBC'

Formats

• NXN022LP - LP

  0615625652468

Details

*INSTOCK AND SHIPPING*Shelton San are a three piece noise rock band formed in 2002 from the small Estonian music scene in Tallinn. Though most of their career has been based in Estonia, recent events led to Shelton San working with the UK. On the 1st January 2023, Shelton San were the first Eastern European band to do a session for the BBC in 32 years. This session was by invitation of legendary broadcaster Roger Hill who presented the Popular Music Show for 45 years (which makes him the longest serving broadcaster on UK radio ever). The session was live broadcast directly to the BBC from Estonia. Now, Shelton San have signed a deal with UK based label 9x9 Records to release a limited vinyl only run of “Shelton San Live on the BBC”. Not only is this an incredible opportunity for an Estonian band, this release is a piece of history and a tribute to Roger Hill, who’s show was axed in Spring of 2023. The release features the full session for the BBC, plus 3 additional tracks from the second half of the show which were not broadcast to the BBC. The first single Platonist, released digitally December 1st 2023 (available on all streaming platforms), this will be followed by second single Youth Smiled at Them in mid February, with the full album released on vinyl and digitally on March 8th 2024. If you haven’t had the pleasure of enjoying Shelton San live and in the flesh, here is the next best thing. Valter Nomm, Andreas Johandi and Raul Ilvest at their peak performance, old and new tunes, showing why 20 years running they are one of the best live acts in Estonia. Shelton San, as well as performing in their home country, have performed in the UK, Germany, Latvia, Finland and Sweden playing with acclaimed artists such as Simon Wolstencroft (The Fall, The Smiths, The Stone Roses), Mastodon, Wooden Shjips and Moon Duo. Their sound could be described as a massive sonic wall, a blend of rationality and irrationality, screeching feedback, dissonant notes, vocals juxtaposed between melodic singing and shouting, combined with rock-solid drum and bass sections, catchy guitar riffs and logical musical progression. Shelton San, elaborate, never sterile, hypnotic but not monotonous, nuanced yet not overwhelming, raw but never sloppy

Tracks

(A1) Well-Behaved (A2) Shadow Talk (A3) Anchors Aweigh
(A4) Dead Chicks (A5) Youth Smiled at Them (A6) All Love Has Kept
(B1) Anxiety (B2) Platonist (B3) Steptrouble
(B4) Hustle Hutch (B5) Safe Mode

Press

Audio & Video

BOBAN PETROVIC - 'ZUR'

Formats

• EVERLAND-YU007LP - LP

  0710473185776

Details

ZUR (‘Zhure’, party) is absolute cult and one of the most rare Yugoslavian disco funk albums, originally recorded in 1981, reissued on Everland Music for the first time since the original vinyl came out more than 40 years ago. The album was carefully and brilliantly remastered by grammy nominated sound engineer Jessica Thomson. Boban Petrović is a legend of Belgrade’s sophisticated disco funk scene from the late 70s and early 80s. Back in the second half of the 70s Boban started one of the first disco clubs in Belgrade and he was one of the biggest organizers of private house parties. The finest balance between Boban Petrović’s big-hearted party-maker-turned-philanthropist personality and his hustler one was achieved on ?ur. On ?ur, he is at home, in his safe place, since the parties, the music and the people are the first out of many things he had completely figured out in his life. He is at the top of his game, occasionally bothered by a casual heartbreak, but always feeling himself, coming out playful and fundamentally peaceful, satisfied and ready to transcend himself in order to put the rest of the world in the limelight. In fact, ?ur isn’t about the party, music, lyrics or its, hands down, beautifully balanced sonics. It’s about Boban and the funk he lived thoroughly. The funk before, but the funk he lived after this album even more so. All the ups and downs that he faced since the moment the first needle dropped on a ?ur record to this very day are on this album as the unwritten destiny of that lighthearted character he played. In short, ?UR represents the essence of underground club life in Belgrade from the late 70s, when the album was recorded. The quality of this trust is confirmed by the fact that Boban Petrovic’s music is still actively listened to today, not just anywhere, but at the finest club events. High end production and extremely authentic arrangements outside the mold of classic disco music, and lyrics that literally convey the vibe of his already jet-set lifestyle in Belgrade at the time. Shortly after his musical career, Boban Petrovic became a businessman of the conscious class. He was living in Spain on his own luxury yacht for years, he had a private airplane, a car park. But all this time living on highest class level he never lost his identity. In all his offices, yacht, airplane and everywhere was playing loud funk music and he was dressed like a musician who just finished or need to start a gig. Along the way Boban also wrote two books: Rokanje 1 & 2 describing the time when the album ?UR was created. The ?UR album is one of the the holy grails of disco funk music releases on a global level. Original copies in good condition rise up to 500 euro on the market. Grab you copy while is hot as this release will burn quickly!

Tracks

Press

Audio & Video

MAGIC FIG - 'MAGIC FIG'

Formats

• SC56X - LP (COLOURED)

  657628444015

• SC56 - LP

  657628444008

Details

**AVAILABLE ON VERY LIMITED INDIES ONLY PINK MOONBURST & ROYAL BLUE COLOURED VINYL - ON A FIRST COME FIRST SERVED BASIS** Bursting forth in a bouquet of dreamlike hooks, choral vocals and Moog pitch-bends, Magic Fig’s debut proves that the technicolor heart of San Francisco’s psychedelic lineage is still beating and as vivid as ever. Featuring alumni from the Bay Area’s best and brightest pop, psychedelic and garage bands (The Umbrellas, Whitney’s Playland, Almond Joy and Healing Potpourri among them) Magic Fig’s debut is full of sonic fireworks, top-shelf musicianship, hooks abound and a distinctive melding of prog rock and pop joy reminiscent of the 60s/70s Canterbury greats. Produced by Joel Robinow of Once and Future Band.

Tracks

1. Goodbye Suzy / 2. PS1 / 3. Labyrinth / 4. Distant Dream / 5. Obliteration / 6. Departure

Press

Audio & Video