COSMIC PSYCHOS - 'BLOKES YOU CAN TRUST'

Formats

• SBWLP75 - LP (COLOURED)

  4059251660750

Details

**BLUE VINYL REPRESS** 40 Years COSMIC PSYCHOS, 40 years dirty, mean, simple, garagey punk rock & roll! EU pressing of the guys seminal 1991 album, the first for Amphetamine Reptile Records back then Noisy alternative punk rock from Down Under for fans of Stiff Richards, The Chats, Nashville Pussy, Supersuckers, Hard -Ons, AmpRep, early Sub Pop "As 1990 set in, Jones vacated the guitar spot. Knight and Walsh asked their friend Robbie Watts, a self-taught guitarist, to join the fold. Watts said yes and Cosmic Psychos ventured to Wisconsin to record their third full-length release at producer Butch Vig's Smart Studios. Released in 1991, Blokes You Can Trust was the band's first record for the American noise rock label Amphetamine Reptile, after the bandmembers became drinking buddies with label head Tom Hazelmeyer. [...] The Psychos conducted a European tour during which they developed an unusual trademark. After seeing many other rock bands take bows after performances, at the end of a show in Potsdam, Germany, Cosmic Psychos decided to alter the tradition by pulling down their pants and mooning the unsuspecting audience." - allmusic.com Do we have to say more? Classic.

Tracks

01. BACK AT SCHOOL 02. DEAD ROO 03. I'M UP YOU'RE OUT 04. LOSER 05. NIGHTSHIFT 06. HOORAY FUCK 07. DO IT TO ME 08. NEVER GROW OLD 09. WHAT 10. ELLE

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PADDANG - 'LOST IN LIZARDLAND'

Formats

• SBR112 - LP (COLOURED)

Details

PADDANG is a psychedelic rock trio formed in Toulouse (France) in 2020. With Osees and King Crimson airing from the car radio and a band name inspired by an Indonesian surf spot, PADDANG are speeding along on a cosmic epic that sounds like a Herbertine prophecy. "Lost in Lizardland" is the soundtrack to an SF road movie that sounds like a Herbertian prophecy. An improbable, almost absurd story, in which the listener evolves with each track. Much more than a simple children's fable, this album proves to be a real warning about current global issues, so obvious are the parallels with our own reality. These 9 new tracks tell the story of Moros, a disillusioned young woman trying to survive in a world on the brink of collapse. It's a rich, bewitching universe of contrasts, just like PADDANG's sound identity, where fuzz guitars rub shoulders with reverberant landscapes, while the voices unite to pave the way for unbridled rock that's both raw and luminous. Recorded and mixed by Cédric Forestier at Stud du Sud, then mastered by Olivier Planchard, "Lost In Lizardland" develops a massive sound where the band's heavy psych, garage and pop influences have never been so evident. Far from hiding behind a wall of fuzz or a mountain of reverb, the three voices set the tone and invoke an urgent need to act in the face of a collapsing world. Their debut album "Chasing Ghosts" was released in March 2023, supported by a fifty-date tour (including French festivals and support acts in the UK and France).

Tracks

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BUBBLEGUM HYPNOSIS - 'THROUGH THE SANDS'

Formats

• SBR113 - LP (COLOURED)

  5060853705458

Details

Stolen Body Records is proud to announce the release of Bubblegum Hypnosis' highly anticipated second album, "Through the Sands," dropping worldwide on May 30th, 2025 on vinyl, digital download, and all streaming platforms. Following their debut release, Bubblegum Hypnosis showcases a remarkable evolution in their songwriting while maintaining the raw energy that first captured listeners' attention. "Through the Sands" takes fans on an immersive journey through eastern-influenced psychedelia, progressive rock structures, and garage-infused intensity. The album features five tracks that seamlessly blend thunderous riffs, intricate arrangements, and hypnotic soundscapes. The first four tracks are meticulously crafted compositions that explore different facets of the band's eastern psych influences, from the explosive "Shaitan's Sword" with its thrash metal undertones to the prog-inspired complexity of the title track "Through the Sands" and "Pillars of Infinity." The album culminates in an epic 16-minute improvised finale that shares its name with the band, serving as both a statement of identity and a sonic exploration of everything Bubblegum Hypnosis represents. The album's lead single, "Shaitan's Sword," represents an explosive comeback for the band. With its garage rock energy and eastern psychedelic flourishes, it's a track best played at maximum volume.

Tracks

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VARIOUS - 'BROWN ACID: THE TWENTY FIRST TRIP'

Formats

• EZRDR214 - LP

  737879948682

• EZRDR214CD - CD

  737879948699

Details

** ON LTD AQUA BLUE VINYL** Here we are again in 2025, Brown Acid The Twenty-First Trip arriving right on time as the world at large degrades further into disorienting self-absorbed isolation and chaos. Ten powerful early hard rock brain benders, primal energy exploding sideways out of the ash heap of '60s idealism, rocking the darker side of human nature in style! Raw and unfiltered, no compromise, blasting gnarly sound perfectly sequenced to take you on one helluva ride! Territory populated with dicey characters, perilous women, predators, bad relationships… anti-social alienation delivered with smoking guitars, real people ripping it with no self-defeating namby-pamby finesse sabotaging their brutal energy. Every track sounds fresh today because Brown Acid is the real deal when it comes to what matters in music… communication! Life itself sonically sneering across time! Opus Est - “Maggie Johnsons” kicks it right out of the gate, taking only a minute and a half to do you in with brash proto punk attitude. Tight and savage riffing shifts gears with an ascending backup vocal hook right out of the twilight zone. The singer sounds disoriented, he can’t get away from Maggie quick enough! Power trio from Belgium in 1974 nail it to the wall and then the whole building collapses. Freedom North - “Losing You” seamlessly alternates gutsy female vocal ranting with trippy floating guitar passages. Singer Franki Hart sounded psychedelic dreamy on their debut 45 “Doctor Tom”, here she sounds like her throat is gonna fly right into your face. Gnarly lead, harsh dry metallic guitar sound, score one for the ladies here, the dude’s a loser and she dumps him. Canadian band from 1970 cranked out four singles and an LP that year… this is their killer. Accents - “Friendly Stranger” serves as an ominous warning for the girls. That seemingly charming guy you just met may be more Ted Bundy than Romeo… do not get in his car! Gushy organ, dark buried fuzz guitar, terrific post-psych catchy vocal arrangement. The band formed in Rhode Island in 1966 and cut this dark killer in 1969 in L.A. issued on the Gazzari label, associated with the legendary rock venue. Brother Love - “Rock N Roll Band” takes the popular theme of being on the road to a new prequel type zone, the guy is headed to New Orleans to start up a band. Great details about wieners and beans, limousines and Cajun Queens, terrific fuzz riff groove like a sideways blend of “Satisfaction” with “Jumping Jack Flash”… best move is the innovatively crude way the lead guitar works a Chuck Berry approach into new territory. Trio led by the Pettito brothers out of Cleveland circa 1970. Perfectly placed break from the darkness on the previous tracks. River Styx - “Bike Writer” out of Beverly, New Jersey in 1971 gets right back to woman trouble with lyrics as mysteriously inscrutable as the bizarre song title. Non-stop acidic fuzz guitar action all thru, weaving around but coming in for nasty little bites at just the right time. Vocalist rants with hallucinatory twisted Sky Saxon level intensity, searing distorted guitar burning it up on the extended fade-out. Maxx - “200 Years” was originally issued out of Lansing, Michigan on the local Signal label and picked up for national release as a promo-only by Mainstream Records. The theme is the original USA ideal of ‘land of the free’ becoming utterly doomed by greed and corruption. Menacing light-touch Stooges style rhythmic groove with watery wah-wah action on the intro into dirty bad trip sheets of psychedelic fuzz guitar, this dark beast functions as a bleak epitaph for civil society, as pertinent now as in 1969! Pump - “Kinda Like” is kinda like outrageous with it’s combination of askew vocal swagger over a churning groove veering into a ridiculously cool chorus about a young girl hanging out with an old man because he makes her feel safe like an old umbrella. Wait until his hand comes into the picture and try not to crack up! Fab primitive guitar lead rides you out and any song with the phrase ‘Nagasaki perfume’ in it is speaking my language! Left-field 1970 winner out of Newark, Delaware on the Dwikey label. 
29.9 -“You Got Me Floating” takes the Hendrix song deep into the garage. Way loose vocal, serendipitously crude guitar add to the vibe in a way no virtuoso could top. Led by the Harrison brothers John and Doug out of Pittsburgh but recorded in late 1969 at a band communal party house in Wellesley Hills, Massachusetts. John later scored films for George Romero, and used 29.9 track in his own horror classic “Effects”. Wakefield - “Here I Am” is a mini-epic with rudimentary progressive rock moves Sioux Falls, South Dakota style from 1979. Opens with a slinky start and stop stalking groove, vocal has the singer up on the stage but feels like a cage, the crowd isn’t really getting where he’s coming from. Extended break goes into double time with flying guitar leads and shifts gears into to a dreamy vibe with synth mimicking airy mellotron skies saying “you’ll find an answer someday”. Fat chance, you’re in Brown Acid Land!
Peacepipe - “Lazy River Blues” completes Trip 21 in deep psychedelic blues territory with lurking danger in the sinister chord changes, eerie effect dosed vocals, mournful acid guitar leads… makes you feel like you’re getting cornered by something scary you can’t see. Obscure heavy trio led by John Uzonyi from L.A. circa 1969, originally issued on the custom Accent label. The creepy vibe sticks with you like a phantasmic nightmare!

Tracks

1. Opus Est - Magie Johnsons 2. Freedom North - Losing You 3. Accents - Friendly Stranger 4. Brother Love - Rock N Roll Band 5. River Styx - Bike Writer 6. MAXX - 200 Years 7. Pump - Kinda Like 8. 29.9 - You Got Me Floatin 9. Wakefield - Here I am 10. Peacepipe - Lazy River Blue

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JERRY GARCIA & DAVID GRISMAN - 'NOT FOR KIDS ONLY (DELUXE EDITION)'

Formats

• JGFRR1066 - 2xLPs

  880882676711

Details

Pressed to vinyl for the very first time, this Deluxe edition of this award-winning classic children’s album from Grateful Dead co-founder Jerry Garcia and Bluegrass Hall of Famer David Grisman has been remastered in high definition and features four bonus tracks. Awarded as a Notable Children's Recording by the American Library Association, the beloved release Not for Kids Only is a timeless collection of folky favorites and playful picks from Jerry Garcia & David Grisman aimed at both children and parents. As Jerry old Rolling Stone Magazine during the making of Not For Kids Only, "This is a reaction to the revisionist approach to children's songs. We've gone poking around in the traditional stuff for songs that don't want to be changed. We'd like to introduce them to kids the way they are and let them be." So here they are — songs like "Jenny Jenkins," "Freight Train," and "There Ain't No Bugs On Me” — the way Jerry and David learned them long ago along with their unique arrangements of the classics "Shenandoah" and "Teddy Bears' Picnic." Simple and playful, subtle and sophisticated, this collection of music is recommended for anyone who is, or ever was, a kid.

Tracks

Tracklist:

Side A
Jenny Jenkins
Freight Train
A Horse Named Bill
Three Men Went A-Hunting

Side B
When First Unto This Country
Arkansas Traveler
Hopalong Peter
Teddy Bear's Picnic

Side C
There Ain't No Bugs on Me
The Miller's Will
Hot Corn, Cold Corn
A Shenandoah Lullaby

Side D
Jenny Jenkins (Alternate Take)
When First Unto This Country (Previously Unissued Alternate Take)
Teddy Bear's Picnic (Alternate Take)
Shenandoah (Previously Unissued Take)

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SOPHIA HANSEN-KNARHOI - 'UNDERTOW'

Formats

• BING-222 - LP

  600197022214

Details

With her first album Undertow, London-based composer/singer-songwriter Sophia Hansen-Knarhoi reveals stark venerability in a world of sound that is intimate and expansive. Voice and cello entwine to provide a cinematic intensity to songs that tell stories of memory, growth, and the raw, often dark, textures of emotion. with cinematic intensity.. ‘Undertow’ tethers intimacy to the corporeal, spanning violation and deep trust.. It deals with the fallout of the victims of violence against women, voyaging through fear and pain to absolution. Born in Perth, Western Australia, Hansen-Knarhoi grew up surrounded by the natural world. ‘Undertow’ draws on the stark landscapes of Western Australia. At moments, field recordings are woven into the work, while at others, arrangements reflect its beautiful barren environment through memory. “Engulfing myself in nature has always been a way for me to process the world, to bring me back into my body and my senses”. ‘Undertow’ revels in this remote sonic landscape Her 2023 debut EP, Wildflowers, explores the transition from childhood to adulthood, blending ethereal, delicate vocals with graceful and tender instrumentation to embody memory, trauma, and the moments that shape us. This time, with the skilled Brooklyn producer Randall Dunn as a collaborator, Undertow pushes further into the abstract, a dark and dissociative space. Dunn carves intricate space around the lyrics, etching into the soundscape with tension. Cello and voice interact as dual narrators, layering hypnotic drones, gritty textures and raw emotive vocals. Undertow frames Hansen-Knarhoi in a caught moment, continuing her evolution, and all the sharp objects in the way. “Although rage is a cornerstone of its being, it is grounded in a hope of connection, a sense of healing on the horizon.”

Tracks

A1 Dusk
A2 Crying In Pastel
A3 All the things that aren't you
A4 My mother and me
A5 Undertow

B6 Louder Than A Whisper
B7 Brave
B8 Moving In Denial
B9 Afraid

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VINNUM SABBATHI - 'INTERSATELITAL'

Formats

• SBR115 - 10"

  5060853705625

Details

Brand new music from the space cavern for 2025. "Intersatelital" is the new exploration in sound from Vinnum Sabbathi, encompassing the relationship between us humans and the machines we have created to aid in our quest towards the expansion and conquest of space beyond our home planet, taking special focus on a pivotal point in time for Mexico. Back in 1985, two satellites (Morelos I & II) were put in orbit under the NASA missions STS-51-G and STS-61-B. These satellites became crucial for advancing communications in Mexican territory and were controlled and monitored by Mexican engineers in the heart of Mexico City. Mission STS-61-B also featured the first-ever Mexican astronaut, Dr Rodolfo Neri, who set several experiments in orbit as well as taking photo documentation of the country from space, and, with all of this, Mexico entered a new era of technology and communications. A sonic testament of the intricate human-machine comradeship from the last century.

Tracks

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MOUNDRAG - 'DEUX'

Formats

• SBR114 - LP

Details

France's most unique fire-driven hard psych duo return with their sophomore masterpiece. Written between 2022 and 2024, "DEUX" marks a bold evolution in Moundrag's sound - nine meticulously crafted tracks that balance raw power with intricate storytelling, creating their most ambitious work yet. What makes Moundrag special: Two brothers. No guitars. Just vintage organ, thunderous drums, and hypnotic call-and-response vocals that forge epic soundscapes. Drawing from Deep Purple, King Crimson, and Emerson Lake & Palmer while channeling modern acts like Motorpsycho, they've created something fiercely contemporary. From the hard-hitting assault of "Stormdrummer" to the psychedelic crescendos of "Take Me To The Stars," DEUX is both a nostalgic nod to 70s prog and a modern manifesto. The album blends dystopian fantasy, sci-fi, and Celtic myth into a cry against old patterns - an invitation to reshape a freer world. Featuring stunning cover art by contemporary Polish artist Justyna Kozikzak - a surrealist interpretation of Dante's journey through hell. Co-released with our friends Spinda Records

Tracks

1. Stormdrummer
2. The Caveman
3. Changes
4. Limbo
5. Black Flames
6. Starrus
7. Take Me To The Stars
8. Morning Epitaph
9. Night Lights

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