DISCIPLE BC - 'THE HOMECOMING'

Formats

• CC009 - LP

  5061041821615

Details

ON LTD GREY SPLATTER VINYL W/ HAND SCREENED 12" PRINT Creepy Crawl kicks off the 2026 in a suitable way…unleashing the new LP by Disciple BC. Titled 'The Homecoming' this really is music for the world as it is today - Continuing the blood soaked saga, The Homecoming documents the bands return to the UK, with 9 tracks of the finest horror crust punk, each one telling tales of crime, punishment, revenge and retribution. Is this the end, or a new dawn? Featuring members of SORE THROAT, DOOM & AGNOSY and featuring the enigmatic and mysterious Rev Schneider on vocals and faith healing. Disciple B.C. has been described as “Jello Biafra fronting Motorhead” & like “Dave Vanian singing with Bathory playing Anti Cimex songs”. Coming at you wrapped in a deluxe gatefold sleeve, grey splatter vinyl and a hand screened 12” print done inhouse here at Creepy Crawl and limited to 300 copies. Join us. Support the underground.

Tracks

1. BC March (The Return) 2. The Dignity Of Labour 3. Down Into Hell 4. D.I.S.C.I.P.L.E.B.C. 5. The Hammer Comes Crashing Down 6. The Troubled Troubadours of Tomorrow 7. Catch Me If You Can 8. Whole In The Scene/The Nordic Light

Press

Audio & Video

MOTORPSYCHO - 'THE GAIA II SPACE CORPS'

Formats

• NFGS0126LP - LP

  9008798703128

• NFGS0126CD - CD

  9008798703111

Details

Motorpsycho has always been of the opinion that the most interesting stuff happens in any art form before it is formatted and settled. In rock music, this phenomenon peaked in and around 1970, and it is in this period that the best heavy music was made, simply because the rules weren’t set, there were not ropes yet, and there were no clichés to fall back on. The Gaia ll Space Corps is an album of tunes that don’t quite sound like heavy metal or hard rock, but clearly is reaching for some of the same qualities. It is post-psychedelic, pre-metal music, and is probably as close to making a true blue ‘classic hard rock’ album Motorpsycho ever will come. The Gaia ll Space Corps is a short, concise, catchy and exciting album, continuing where Motorpsycho’s Stanley and The Come back left off. The instrumentation is mostly guitars, guitars and some more guitars, but there is quite a bit of singing in there too, and even an occasional keyboard sound or two as well. But mostly this is guitar music that ...well, rocks! Hard!! The first single is the album’s lead off track Fanny Again Or. This Bent sung fable is a shot of adrenaline that fairly reeks of the Osmonds (and comes with a faint whiff of the Hammer of the Gods). It is a riffy proposition that can’t help but get the blood up in any and every true rocker! Snah then sings the tragic-but-groovy psych rocker The Great Stash Robbery, a Freak Brothers-esque tall tale of the ‘pot will get you through times of no money better than money will get you though times of no pot’-variety. Other stand-outs are the bluesy, nervy juggernaut TSMcR where the band, with Reine in the lead, almost derails as it channels the sci-fi blues of the mighty Groundhogs, and the title track, an exciting 60’s stomper celebrating the proud feats of the titular organisation. It features Snah on electric sitar. The Hornet choogles briskly along (‘...and don’t forget to boogie!’), before the epic, Snah sung ballad The Oracle lets the sun in for a breath of air. Light and shade, right? This version of the band (Ryan / Sæther, with Fiske and Olsen) then tops it all by delivering an epic, knock-out version of the old Frost classic Black As Night to end proceedings in appropriate Detroit style. ‘They don’t make records like this anymore’ the band thought, then went and did something about it. Recorded both at the Old Cheese Factory in Trondheim and in Amper Tone in Oslo, The Gaia ll Space Corps proudly sounds like it was recorded in 1970 and makes up in excitement for what it might lack in subtlety. And sometimes you just gotta let it rip, dontcha? Motorpsycho certainly thinks so, and offers up The Gaia ll Space Corps as an answer to the acoustic jangle of Yay! [NFGS0223] and the epic workouts of Motorpsycho [NFGS0125]. Made with love and respect for a dying art form, it’s energy will leave you reeling, deaf and happy, socks rocked well and truly off! Rock is dead, long live rock!

Tracks

1. Fanny Again, Or 2. The Great Stash Robbery 3. TSMcR 4. TheHornet 5. The Gaia II Space Corps 6. The Oracle 7. Black As Night

Press

Audio & Video

THE SPACE LADY - 'GREATEST HITS 2026 REPRESS'

Formats

• LSSN020W - LP (COLOURED)

  5061041821905

Details

**FROSTED CLEAR VINYL WITH ORIGINAL BOOKLET** Transcendentally beautiful, The Space Lady's music is returning to Earth. Transmitting messages of peace and harmony, The Space Lady began her odyssey on the streets of Boston in the late 70s, then San Francisco ten years later, playing versions of contemporary pop music with an accordion and dressed flamboyantly. Following the theft and destruction of her accordion , The Space Lady invested in a then-new Casio keyboard, complete with a phase shifter and headset mic, birthing an otherworldly new dimension to popular song that has captured the imaginations of the underground and its leading exponents ever since. "Utterly unique and radiant with a universal love that courses through The Space Lady’s re-shaping of 20th Century counterculture, these songs lament time past while suggesting a mode of living for the future. Now celebrating its 13th Birthday, The Space Lady’s Greatest Hits has firmly earned its place as not an “outsider” classic (whatever that means) but as a Classic full stop. Originally recorded in 1990 by Susan Dietrich to document her time on earth as The Space Lady, it enjoyed niche, underground fandom until Night School Records released it as Greatest Hits in 2013. Play these songs to anyone and the distance between them seems to shrink." - Michael Kasparis

Tracks

Tracklist: 1. Humdinger 2. Synthesize Me 3. Major Tom 4. Ghost Riders in the Sky 5. Domine, Libra Nos/Showdown 6. Fly Like an Eagle 7. Born to Be Wild 8. I Had Too Much to Dream (Last Night) 9. From the Womb to the Tomb 10. Ballroom Blitz

Press

Audio & Video

COIL - 'ASTRAL DISASTER (PRESCRIPTION VERSIONS)'

Formats

• IF127LP - 3xLP

  710473185905

• IF127CLEAR - 3xLP COL

  710473186384

Details

BLACK AND COLOURED VERSIONS AVAILABLE Dedicated vinyl-only edition focusing exclusively on the Prescription versions. • Includes new Astral Disaster II artwork by Steven Stapleton. • Remastered for vinyl by Grammy-nominated Jessica Thompson. • Perfect for collectors interested specifically in Coil’s Prescription / Threshold House era

Tracks

Press

Audio & Video

COIL - 'ASTRAL DISASTER (TTH VERSIONS)'

Formats

• IF126LP - 2xLPs

  710473185899

• IF126CLEAR - 2xLP (COLOURED)

  710473186377

Details

BLACK AND COLOURED AVAILABLE • Original Threshold House (TTH) edition presented as a standalone 2LP gatefold — faithful to Coil’s own reissue vision. • Long unavailable and highly sought-after version of Astral Disaster, originally following the ultra-rare subscription-only release. • One of the very few Coil albums (alongside Musick to Play in the Dark) featuring the combined lineup of Balance, Sleazy, Drew McDowall, and Thighpaulsandra. • Deeply tidal / lunar sound work — immersive, slow-building compositions blending drone, kraut, and ritual electronics. • Includes key Coil compositions such as “The Avatars” and “I Don’t Want to Be the One”, central to their late live performances. • Essential vinyl edition for collectors seeking the historically accurate Coil catalogue outside the larger boxset.

Tracks

Press

Audio & Video

HEAVY AXE - 'A QUIET BAY'

Formats

• FC68 - LP

  5061041822131

Details

First full length of its final year for Feral Child, sees the most wonderful LP from Sussex based duo HEAVY AXE. 11 gorgeously slow building, subtle krautrock infused nuggets all of which have a beautiful earthy, peacefulness at its core- recalling perhaps, the collaborative work Eno undertook with Cluster and Harmonia, tho’ more on that later. This is a truly epic record; in equal measure mind-blowingly beautiful, truly up-reaching kosmische music, consistently maintaining an intoxicating warmth and knowing grasp of where truly great ambient music can transport the listener. Whilst other pieces such as “Enhancer” or “Clusters” break impressively from ambient start points into wonderfully fresh sounding, driving motorik grooves…. The duo themselves fill in a little background; “Heavy Axe is synth devotee and producer Neil Correlations and multi-Instrumentalist Khaled Lowe. Taking their cue from the atmospheric textures of ambient and the Kosmische experience, this is their debut LP entitled “A Quiet Bay” released this February via Feral Child. The duo started recording together after Neil visited Khaled’s home and toured his studio, which contained an array of vintage synths, guitars, FX, and other exotic instruments, many of which can be heard in their subsequent output. Throughout the day, Khaled played a marathon session of Kraut/ Kosmiche and other outlandish electronic fare, which further piqued Neil’s interest, with the pair planning to record together as soon as possible. This culminated in their first release for Feral Child Recordings in the shape of The Goat Is Cold EP, which garnered a number of plays on BBC6 music- most notably Gideon Coe. The acoustic instruments played by Khaled (gong, flute, hand drum and waterphone, to name a few) for these sessions were recorded with the help of sound artist Simon James (The Simonsound / Black Channels, etc), who mixed the EP and “A Quiet Bay” here. Simon’s work with his trusty Buchla 200e Electric Music Box also underpins one of the record’s highlights in “Everything”. Recorded at Neil & Khaled’s studios between mid 2024 and early 2025 and utilising additional recordings from ‘The Goat Is Cold’ sessions, “A Quiet Bay” is guided by their love of the more pastoral sounds emanating from the music of Popol Vuh, Eno, Cluster, Ash Ra Tempel, Michael Rother, to name but a few. Indeed, Khaled’s interpretation of the driving, sustained Rother guitar sound looms heavy throughout the record, perfectly complementing Neil’s often understated synth motifs. Esteemed session drummer Francesca Prattico joins the LP on “Clusters” and “Enhancer” with Donato Panaccio on Mastering duties” A superbly consistent record, (for which film clips have been made for every track) that is released as a one time vinyl pressing on Crouch End based label Feral Child.

Tracks

1. A Quiet Bay 2. Arp Interlude 3. Not Swimming 4. Snow Drift 5. Honduras 6. Enhancer 7. Hills Of Denham 8. Clusters 9. Everthing 10. Solina 11. There Is Not Enough Time

Press

Recommended to fans of Harmonia, Cluster, Popol Vuh, Sky label, Cluster/Eno collaborative work

Audio & Video

ABRONIA - 'SHAPES UNRAVEL'

Formats

• CFUL0358 - LP

Details

Some bands make it obvious from the first few notes—a single tone, a specific push on the tempo, the way the air moves around the instruments—and you know it's them. Abronia is one of those bands. From the first thud of their 32-inch bass drum to the coil of pedal steel winding through the haze, the sound of this Portland-based six-piece is unmistakable. Over the past decade, Abronia has been refining their singular blend of widescreen psychedelia, desert noir, Eastern drone, avant-jazz, doom, post-punk, and acid-folk—channeling something that feels at once ritualistic and cinematic. Today, the band is announcing their fourth studio album, Shapes Unravel. Sonically, this is Abronia’s most ambitious and compositionally daring record to date—the album moves with a strange gravitational pull, layering grief, haunted memory, and flashes of transcendence into something emotionally expansive and structurally bold. Moments of crushing weight give way to eerie stillness, held together by an urgency that feels vital, not calculated. It's a record that doesn't politely wait for your attention; it pulls you into its orbit whether you're ready or not. Our first glimpse into Shapes Unravel is the single "New Imposition." The track opens with echoing guitar plucking and eerie pedal steel and unfolds quickly into a cinematic score, transporting you instantly into the world of Abronia. When asked about the song, singer/saxophone player Keelin Mayer says, "Going into a Fred Meyer (Pacific Northwest one stop shopping) during the pandemic–walking around the store while your drug addicted boyfriend shove racks of ribs, ice cream and deodorant down his pants, while people are shooting up in the bathroom. We think someone steals his iPhone at the self-checkout, but it turns up shoved between two bags of chips. You only realize your boyfriend was shoplifting when he pulls the stolen things out of his pants in the car. The guilt and shame you feel as you watch so many people succumb to addiction. That Fred Meyer location is now closed because it couldn't sustain the wave of crime. Watching the fruits of unbridled capitalism and the greed of the ruling elite bloom into full technicolor. Try to run away before the wave gets you too." Alongside the release of "New Imposition," the band is sharing a music video.

Tracks

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