CHRIS D / POISON FANG SOCIETY - 'COURTROOM WEDDING'

Formats

• ITR414LP - LP

  769152434193

• ITR414CD - CD

  769152434209

Details

Courtroom Wedding, the feral new album by singer-songwriter-punk rock legend Chris D.’s new unit Poison Fang Society, succeeds In the Red Records’ release of two expansive albums by the bandleader’s Divine Horsemen, Hot Rise of an Ice Cream Phoenix (2021) and Bitter End to a Sweet Night (2022). The taut, economical eight-song set grew out of several songs penned in the immediate wake of the COVID pandemic lockdown and originally envisioned as material for a third Divine Horsemen record. But logistical problems involving the band’s co-lead singer Julie Christensen’s ability to record in Los Angeles led to the formulation of a new solo configuration rooted in the past. Poison Fang Society guitarist Larry Schemel, most recently of Death Valley Girls, and Tucson-bred drummer Johnny Ray are both veterans of the eight-piece lineup heard on the Flesh Eaters’ 1999 album Ashes of Time. They are joined by bassist-keyboardist-guitarist Sharif Dumani, who also engineered the collection and co-produced with Chris D. The songs Chris brought to the studio reflect a shift in style: “I was really trying to write some more traditional kinds of songs, but not make them sound really anonymous. On the last couple of albums, the Divine Horsemen albums, there was a lot more cut-up stuff. I still did some cut-up in the lyrics with this record, but not as much. The lyrics to ‘Cellars to Weep’ were very influenced by songs like Bob Dylan’s ‘Subterranean Homesick Blues’ or ‘Highway 61 Revisited,’ even though song doesn’t sound like that. I wanted to keep that kind of surrealist humor that Bob Dylan has — those nonsense phrases that add meaning when they’re all put together.” With tracks inspired by subjects as diverse at the gun-toting MAGA couple who pointed their weapons at Black Lives Matter protesters (“Goddamn Thieving Shame”) to the sleazy come-on cover lines of ‘50s pulp paperbacks (“Sex Kitten”), Courtroom Wedding flexes a lean, potent sound that recalls the knife-edge attack of the Don Kirk-era Flesh Eaters and the heavyweight vibe of Chris’ second solo album (as Stone by Stone), 1989’s I Pass for Human. Like this punk grand master’s finest work, it displays an electric, tormented immediacy. “Courtroom Wedding sounds more live than the Divine Horsemen records,” Chris says, “and I think that’s a good thing.”

Tracks

1. Mesquite Bed 2. Court Room Wedding 3. End Weeping 4. Backwards Heart 5. Goddamn Thieving Shame 6. Passport to Shame 7. Cellars to Weep 8. Sex Kitten

Press

Audio & Video

TOMO KATSURADA & MISHA PANFILOV - 'ETERNAL ALMOST'

Formats

• FDR01 - LP (COLOURED)

  N/A

Details

“Eternal Almost” is a collaborative album by Japanese musician Tomo Katsurada and Estonian composer Misha Panfilov. Born from the simple joy of songwriting and creative exchange, Tomo and Misha had long admired each other’s music from afar. When the opportunity to collaborate finally arrived, it felt completely natural, and by the time the album was finished, it almost seemed as though the two had known each other always. United by a shared sense of humour and musical curiosity, Tomo and Misha poured a raw, honest energy into these songs — one shaped by their intuitive rapport. In an increasingly artificial world, “Eternal Almost” subtly celebrates the qualities that make music feel most alive. Amid the weight of our current times, the pair hope this album brings listeners a sense of lightness, joy, and of course—a gently surreal journey from beginning to end. The full album will be released on April 1, 2026, as a co-release between Funk Night (Detroit, US) and Future Days Radio (Amsterdam, NL). .

Tracks

1. Mostra 2. Boundless 3. Cymbal Symbol 4. Private Party 5. Yoyo 6. Mokuba 7. Fantastic World 8. Mosaic Memory 9. Hundreds Spirits 10. Slice Of Time

Press

Audio & Video

TOMO KATSURADA - 'DREAM OF THE EGG'

Formats

• FDR02 - 10"

  N/A

Details

"Dream of the Egg" is the debut solo album by Tomo Katsurada, known for his work with the Japanese psychedelic band Kikagaku Moyo. This project is a unique fusion of music and visual art, inspired by the Japanese 1920s children's book “Yume No Tamago (Dream of the Egg)”. It reveals a deeply personal journey, reflecting Tomo's dreams and the numerous rebirths experienced in 2024—a year marked by profound new beginnings in every facet of his life. This mini album was driven by a passion for raw and immediate expression. Every song was crafted and recorded with only the materials available to him at the time, embracing an organic and handmade atmosphere. By eschewing rhythm clicks and standard instrumental tunings, a spontaneous sound emerged, capturing the essence of both uncertainty and immediacy. Adding to this distinctive sonic landscape, guest musician Jonny Nash (UK) contributed ethereal guitar sounds on the first and final tracks, enriching the record's dream-like quality.

Tracks

1. Moshimo 2. Zen Bungalow 3. Interlude 4. Inner Garden 5. Dream Of The Egg

Press

Audio & Video