STRAWBERRY SWITCHBLADE - '1982 4 PIECE DEMO'

Formats

• LSSN048G - 7"

  5061041822582

Details

**2026 Transparent Green Vinyl Repress** In 2024, the song Trees & Flowers became an unexpected hit on Tik Tok and introduced a new generation to these timeless songs. “1982 4-Piece Demo” is the first official, fully-licensed and unreleased material to be released under the name Strawberry Switchblade in 30 years. Since disbanding amid major record label acrimony and personal differences in 1986, the already-cult band have since grown in stature and legend. Trailblazers in many ways, the band’s mythology justifiably centers around the charismatic duo of Jill Bryson and Rose McDowall, but that isn’t a complete picture. Bryson and McDowall’s growing friendship, having met some years earlier on the punk scene, became a creative partnership: Bryson’s art school background and McDowall’s history in avant-punk group The Poets meant Strawberry Switchblade was a band pitted against many established norms. The band’s very first incarnation, an all-female 4 piece, recorded one demo at Glasgow’s Hellfire Club and played a handful of gigs. Friends Janice Goodlett and Carole McGowan completed the line up on bass and drums respectively. Strawberry Switchblade would eventually pair down to a duo and go on to chart success but it’s in these raw, passionate recordings that the songwriting and vocal elements were being hammered out and explored in real time. “Spanish Song” is a previously unreleased song. With Rose McDowall’s instantly recognizable lead vocal dovetailing with Bryson’s harmonies and lead guitar, it’s the first glimpse at an alternative history of Strawberry Switchblade. This incarnation could easily have been featured on a Nuggets compilation or a precursor to the indie-pop revolution that would take over British bedrooms a couple of years later. Trees & Flowers is instantly recognizable, a bona fide classic that would earn the band its first record deal. Here it’s given a more forceful rhythm section: Goodlett and McGowan’s playing is in fact accomplished and doesn’t hint at the bands’ youth. Go Away would also surface later on the band’s debut LP but here it is a moody-garage stomper with a psychedelic, haunting refrain. These 3 songs point to a tantalizing future of the band that was never realized. Remastered and restored by Sean Pennycook from the original cassette, with artwork based on a single photographic contact sheet (the only visual evidence of the band in this form) and with a booklet of photographs and new text from contemporary Stephen Pastel.

Tracks

SIDE A: Spanish Song
SIDE AA: Trees & Flowers / Go Away

Press

2026 sees a new pressing to acknowledge the enduring legacy of this recording. In 2024, the song Trees & Flowers became an unexpected hit on Tik Tok and introduced a new generation to these timeless songs

Audio & Video

TITANIC - 'HAGEN'

Formats

• UOH18SX - LP (COLOURED)

  5061041821356

• UOH18CD - CD

  5061041821189

Details

**NOW AVAILABLE ON CD, LAST COPIES ON LTD CREAM VINYL** In her sensational 1929 biography Tiger Woman, dancer and socialite Betty May claimed her ‘coster’s eye’ meant she liked to wear as many colours as possible. “Colours to me are like children to a loving mother. Each is my favourite, yet I can never bring myself to deny the others by preferring one.” May’s bold and inclusive strategy is one that manages to transfer itself, almost a century later, to Hagen, the new record by Titanic. Many will know Titanic as the Mexico City-based brainchild of cellist and singer Mabe Fratti and multi-instrumentalist Hector Tosta who is now operating under the pseudonym, I. la Católica, (taken, rather unusually, from the name of the street the pair live on). With Hagen, and their previous release, Vidrio, (2023), the pair are creating a distinctive signature sound in modern alternative pop music. Nobody else sounds quite like them. Both records have an open hearted nature and simple, winning melodies that play off against a taste for drama, spectacular orchestration and a feeling of otherworldly mystery. Hagen is the more ambitious, sometimes more mystical effort. From the opening handclaps of ‘Lágrima del Sol’, (a wonderfully uptempo playground chant translating as a tear from the sun but, surely, not referencing the brand of pineapple wine?), the record dances its way through various mid-to-late-eighties inspirations, lush and widescreen passages of melancholy and vertiginous contrasts.

Tracks

1. L?grima del sol 2. Gotera 3. Escarbo dimensiones 4. Te tragaste el chicle 5. Libra 6. La due?a 7. Gallina degollada 8. P?jaro de fuego 9. La trampa sale 10. Alzando el trofeo

Press

*****5 Star Guardian review. One of the standout acts at End of the Road festival 2025. Top 50 Albums of the year - The Guardian

Audio & Video

EDDY CURRENT SUPPRESSION RING - 'IN LIGHT OF RECENT EVENTS'

Formats

• SR007 - LP

  5061041822339

Details

***REPRESS ALERT***Eddy Current Suppression Ring make a surprise return with their sixth album In Light of Recent Events. True to form, it finds the disinterested careerists sidestepping expectation and working on their own terms, in their own time. Dialled in through closed-door weekly jams across 2025, that pent-up energy has only leaked via pseudonym-billed small-room shows as Jimmy and the Ringtones and Top Hats, record shop in-stores and country detours, plus a pair of phantom straight-to-YouTube singles (‘Swimming Hole’ and ‘Hard To Be Moved’), each with accompanying films by Chris Middlebrook and Amiel Courtin-Wilson respectively.

Tracks

1. Sabotage 2. Bop 3. Hard To Be Moved 4. Turtle 5. Ulterior Motives 6. Ivory Tower 7. Swimming Hole 8. Empathetic 9. My World 10. On My Way Home 11. Past And Future

Press

Audio & Video

PERENNIAL - 'MODERNISM'

Formats

• SSH067 - LP

  600064804219

Details

Whatever they do, whenever they do it, Perennial is quick, kinetic, sharp. Their bruising, bombastic sets have come and gone before you know it: all over but thesweating. A 20-minute marathon, on stage and in wax. On Modernism, the NewEngland mod trio’s newest full-length album, that lightning-strike chic is devoted to apocket-symphony rave-up — a 10-song parquet session built from all the keenest bitsof The Who, The Blood Brothers, Otis Redding, Stereolab, MC5, Wilson Pickett. Op artto dance to. Mellotron loops bracket electric feedback squalls; freakbeat riffs tangle upbeneath Stax/Volt hooks. The band’s deep, eccentric record collections, turned into a1,200 second action painting. Formed in 2015 in Connecticut, Perennial is Chad Jewett (electric guitar and vocals),Chelsey Hahn (electric organ and vocals), and Ceej Wolf (drums). Focusing on bothunforgettable live shows — frenetic, joyful dance-punk rites of spring — and studio-as-instrument modernist recordings, the band has built a cult of dedicated internationalaficionados, one sticky-humid basement show at a time. Touring tirelessly, they honedtheir Motown-via-Dischord sound to a keen, glossy point. With their longtime producerChris Teti (The World Is A Beautiful Place and I Am No Longer Afraid To Die), Perennialhas added layer after layer to their sharp mod collage: free jazz, ambient electronica,big beat, dub, Musique concrète, all within explosive 90-second sprints. Modernism is their best yet. The hooks pile high and stick fast atop dance floor strataof fuzz bass, tambourine, and Vox Continental organ jabs. Taking its cue from the tight yet-expansive examples of The Who’s A Quick One and The Jam’s Sound Affects, Modernism marries the experimental to the ecstatic, the impressionistic to the incendiary. Available September 18th via Ernest Jenning Record Co. (US and International) and Safe Suburban Home (UK), Modernism is a new benchmark for one of punk music’s most intrepid aesthetic explorers.

Tracks

Press

Audio & Video

CARLTON MELTON - 'REASON BEINGS'

Formats

• AGIT076 - LP (COLOURED)

  5061041822445

• AGIT076CD - CD

  5061041822452

Details

**LTD 500 COPIES ON CRYSTAL CLEAR VINYL / LTD 500 COPIES CD DIGIPAK** Time to turn on and turn it up, theres a brand new Carlton Melton in the offing… its been a good couple of years since the West Coast space/sike travellers have dropped new music. ‘Phantomize beyond the window, into the portal, the panes of eternal returns, wooden spirals, roots into the realms of everything and nothing, the reason beings’ With Anthony Taibi fully ensconsed in the metaphorical Melton Dome, this four piece is ready to soar, go deeper and wider into the sike psyche than on previous recordings, now fully recording live with drums, bass, guitars and keys...recorded at 3D Light in Freshwater, CA by Anthony Tiabi in 2025, and mastered by the inimitable John Mcbain in 2026. We have a single LP of 40+ minutes spanning 4 tracks, that have textures, and waves and patterns to lull you into some fever dream of motorik psych! Touchstones like Träd, Gräs Och Stenar / Kandodo / Guru Guru / Eno & Fripp / Birds of Maya / Parson Sound come into view. There are moments of gentle ambience bordered by speaker shredding guitar soloing, whole passages of Krautrock inspired jams that have form and focus.. you blink and your live flashes before you, the record ends, you want more.. There are moments of gentle ambience bordered by speaker shredding guitar soloing, whole passages of Krautrock inspired jams that have form and focus.. you blink and your live flashes before you, the record ends, you want more.. Carlton Melton masterfully blend hypnotic, long-form psychedelic jams with drone and Krautrock influences. Band: Rich Millman Andy Duvall Clint Golden Anthony Taibi Announced to celebrate summers solstice.. released on the Autumn equinox.. with a full UK tour to boot.. Come fly / fry with us…

Tracks

Press

''..all you're left with, hopefully, is a day made better for having taken the time and the journey with them.'' - The Obelisk

''..it is a pleasure to drift once more alongside them.'' - Sonic Abuse 10/10

Audio & Video

FRANKIE ROSE - 'HILA'

Formats

• LSSN109 - LP

  5061041822476

Details

Her sound remains vast and yearning, with gut-punch drums pushing through explosions of colored powder; her voice is a chrome-plated sigh, and her agile melodies soar effortlessly. - Pitchfork *BEST NEW MUSIC* she achieves some serious cinematic grandeur. - Stereogum Simply too sublimely crafted to ignore. - Consequence of Sound A catchy ethereal piece of pop - Brooklyn Vegan Rose’s layered, reverb-laden vocals hit like waves of sunlight, warming her lines almost to the point of wordlessness. - Paste Magazine “Hila. A record about loss. What persists beyond the range of ordinary perception? The place mourning keeps returning to — not quite transcendence, not quite doubt. The edge of what we can see.” Frankie Rose has spent fifteen years building one of the most quietly distinctive bodies of work in American independent music. Bursting out of the shackles of her legacy on 2024’s Love As Projection, 2026’s Hila builds on the muscular, dance-ready songwriting and transcendent melodies to result on Rose’s most exploratory and affecting record of her career. Imbued with yearning melodies and brooding post-punk dynamics, Hila is Frankie Rose at her most impressionistic and expansive. Self-produced at her home studio featuring collaborations with drummer Justin Welch (Elastica/Lush), Hila was recorded following extensive touring with The Jesus & Mary Chain and Swervedriver. The result is the most confident, searching music Rose has produced; muscular in its production yet emotionally vulnerable in its diffracted neon glow. A record informed by loss and the way grief mutates our senses, it’s fitting that Rose channels the nuanced darkness of later Coil, at times the pounding EBM-production of Skinny Puppy and the near-spiritual alien-ness of Cocteau Twins. On Hila, the doors of perception are constantly melting, revealing the porous nature of the seen and unseen. The result is a synesthesia that flips the senses. If Love As Projection was an outward-looking record looking to embrace the world, Hila brings the dark cosmos into inner space. Rose’s love for 80s production and soaring melodies remain, they’re cornerstones to her craft after all, but there’s something more assured and gothic underneath the massive waves of sound. Opener Olo shimmers into a pulsating, cinematic brooder, Rose’s vocal transcending and swan diving between registers in the chorus breakdowns. First single Cant Be Wrong serves as a transition from the optimistic pop of Rose’s previous album, introducing a thumping 80s funk rhythm track under the soaring vocal performance. The ebullient Shadow Twin is that song’s sibling, recalling major label-era Strawberry Switchblade melancholy mixed with Robin Guthrie’s twinkling guitar work. Hila blossoms darkly from here on in, blowing out into a glacial wide-screen sonic dynamic. On Rainman and the title track the listener is transported to a rain-soaked, nocturnal cityscape ridden with desire, moonlight cutting through blinds, intoxicating chasms without bounds. Rose’s use of saxophone and digital synthesis recalls the nightmusic of Hats-era Blue Nile or the more ambient end of Emeralds’ catalog. Indeed, in the towering synthetic cello sounds that climb into the mind on Hila, there’s a distinct flavour of the instrumentals on Bowie’s Low. This is musick to play in the dark, to light the way a little, just enough to trick the senses. Leading into the strobe-filled haze, single Manifest pounds forward with a massive Industrial 4/4 beat and post-punk/goth musicality, an exercise in unlit ecstasy. For Best Of Times, the liberal saxophone passages feel like a suppressed, 80s Michael Mann soundtrack with Frankie Rose’s effortless, melodic vocal performance probing, searching for connection. Navigating through the dry, iced landscape into a rising sun, closer Velvet Refrain flips the melancholy of the preceding passages. With a massive sound dripping with harmony, the clanging guitar and vocal duet feels they’re sound-tracking an unexpected happy ending after bouts of darkness."

Tracks

1. Olo 2. Cant Be Wrong 3. Return To Dust 4. Shadow Twin 5. Rainman 6. Hila 7. Manifest 8. Best Of Times 9. TV Star 10. Return To Dust

Press

Her sound remains vast and yearning, with gut-punch drums pushing through explosions of colored powder; her voice is a chrome-plated sigh, and her agile melodies soar effortlessly. - Pitchfork *BEST NEW MUSIC*

Audio & Video

RUBY OF THANKS - 'BEFORE YOU TURN INTO A DOG'

Formats

• WOODSIST113 - LP

  769152437415

Details

Ruby of Thanks is the songwriting and home-recording project of Hudson Valley musician Andy Weaver. A fourth-generation New Yorker, Weaver is also a house painter and drummer whose work has included Widowspeak, Castanets, Wildflower, and Andre Ethier. With Ruby of Thanks, he turns toward something quieter: intimate, handmade songs that find beauty in ordinary life. Before You Turn Into A Dog is the project’s second full-length album. Split between solo recordings made at Weaver’s home in Kingston—where he played every instrument himself—and collaborative sessions with friends in Cairo and Catskill, the record values process as much as polish. Several songs preserve their very first complete performances, documenting ideas as they emerge rather than after they’ve been refined. “Hopefully it captures some spirit of creation,” Weaver says. “The idea of songwriting as a way to process events and create peace at home by working with your hands, making things. Self-recording as a response to capitalism in art.” That philosophy gives Before You Turn Into A Dog its quiet gravity. These songs dwell in everyday rituals and fleeting moments of transcendence, moving through love, depression, work, and the search for peace with remarkable patience and generosity. Weaver’s warm acoustic guitars, understated melodies, and homespun recordings never ask for attention—they earn it through honesty, intimacy, and careful craft. There are echoes of artists like Little Wings, John Andrews and the Yawns, and Hand Habits, but Ruby of Thanks resists easy comparison. Like the records that have long defined the Woodsist orbit, Before You Turn Into A Dog feels less like a statement than a place to inhabit: unhurried, deeply human, and quietly transformative.

Tracks

1. Terror Dogs 2. Spicebush Grove 3. Shadow 4. Chapstick 5. Dandelion Street 6. Backlit Cloak 7. Cherry 8. Flosser 9. When I Turn Around 10. Attic 11. Papers 12. Windowsill

Press

For fans of Little Wings, John Andrews and the Yawns, Hand Habits

''...folk ballads subtly layered with a rush of a languid art-pop atmosphere. With a synergy in line with the auxiliary worlds of a Little Wings or John Andrews, Weaver?s songcraft is adjacently warm and melancholic in its thematic exploration.''
? Aquarium Drunkard

Audio & Video

PETER JEFFERIES - 'THE DAY THEY LET YOU OUT IS THE DAY THEY MIGHT NOT LET YOU COME BACK'

Formats

• GY16-6 - LP

  600197616611

Details

Grapefruit is proud to announce the first new album in 25 years from the legendary New Zealand singer-songwriter, Peter Jefferies. Known for his seminal post-punk bands Nocturnal Projections and This Kind of Punishment as well as his equally influential solo records such as The Last Great Challenge in a Dull World, Electricity, Elevator Madness, and Closed Circuit, Jefferies has been one of the towers of the New Zealand underground music community since the early 1980s. The Day They Let You Out Is The Day They Might Not Let You Come Back is a new masterpiece in an already staggering catalog. Only Peter Jefferies could take a quarter of a century off from songwriting and come back as if a moment hadn’t passed. If anything the world has given him even more to grapple with and his voice is as urgent and necessary as ever.

Tracks

1. Draw It By Hand 2. Already Got To Give 3. The Shadow Sisters 4. Granada Land 5. Can?t Fly 6. Where?ve You Gone? 7. Anytime Soon 8. Day They Let You Out 9. Reflex And Rail 10. Voyager 11. Speed Only

Press

Audio & Video